Selected articles and essays

Remi Parcollet, “Le jeu de la mise en abîme, artistes, photographes, exposition”, Edit:, issue 7, 2007.
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Stéphanie Airaud, “Jérôme Saint-Loubert Bié ‘Zones de Productivités Concertées’,” in Jérôme Saint-Loubert Bié, Zones de Productivités Concertées, Vitry-sur-Seine: MAC/VAL Musée d’Art Contemporain du Val-de-Marne.
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Cécile Dazord, “Pratique photographique et stratégies appropriationnistes” / “A Photographic Practice Engaging Strategies of Appropriation” and Yann Sérandour, “Notes,” in Jérôme Saint-Loubert Bié, Documents, Paris: Atelier Cardenas Bellanger / Rennes: École des Beaux-Arts de Rennes, 2006.
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Rudolf Scheutle, “Jérôme Saint-Loubert Bié,” in Renate Wiehager (ed.), Moving Pictures, Photography and Film in Contemporary Art, Stuttgart: Hatje Cantz, 2001 (pp. 122–125). Exhibition catalog in German and English.

Jim Ovelmen, “Hippo Holes: An Essay on Jérôme Saint-Loubert Bié’s Untitled”, Periscopes, issue 1, 2000.
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Chiaki Sakaguchi, “Jérôme Saint-Loubert Bié”, Ryuko Tsushin, Tokyo, November 1999 (pp. 140–145).

Jean-Charles Depaule, “À propos de Jérôme Saint-Loubert Bié,” online journal Traverses, issue 3, Paris: Centre Pompidou, 1998.
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Andrew Perchuk, “After Pierre Menard,” X-Tra, issue 1, volume 1, Los Angeles, 1997.

Photo: Ryuko Tsushin, Tokyo, November 1999.